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nmo is a London-based freelance orchestra, which performs with a flexible playing strength (15 to 35 typically) dependent upon venue, occasion and the music being presented.
Though hardly still 'new' after 30 years (the orchestra was founded in 1977), the nmo has continued to redefine itself as the expectations of a modern instrument orchestra have developed. In the 1980s it was principally concerned, like many professional chamber orchestras, with presenting public performances in the main London concert halls (Queen Elizabeth Hall, St John's Smith Square) and elsewhere. Under its Principal Conductor, Clive Fairbairn, it received substantial acclaim in the national press, such as:
Last night it was impossible not to hang on every note in the [QEH] performance that opened another evening with the New Mozart Orchestra under Clive Fairbairn: their articulation was so clear and musical, their ensemble so perfect, their sound so full and pleasing.
The Times
Although nmo has always included at least one piece by Wolfgang Amadeus Mozart in every concert, very often championing his rarely performed works such as the early symphonies:
Last night it was impossible not to hang on every note in the performance (Mozart's Cassation K.99) that opened another evening with the New Mozart Orchestra under Clive Fairbairn. Their articulation was so clear, their ensemble so perfect, their sound so full and pleasing, surely Mozart himself would never have expected such studied playing in a boyhood suite of cameo pieces.
The Times
this extends also to rarer pieces by his contemporaries, such as Pokorny:
Clive Fairbairn's orchestra, which specializes in performing lesser-known eighteenth-century works, played Pokorny's Symphony No.91 (hitherto known as Monn's 3rd) with complete conviction.and works from all centuries, especially C20/21.
Guest soloists have included outstanding international artists such as John Lill, Steven Isserlis and Howard Shelley. nmo also encourages talented younger soloists, as for example in 2007 with the highly acclaimed performance of Bruch's Violin Concerto No.1 by Mengla Huang, which received an immediate standing ovation.

